We were able to acquire the most varied loom systems kontermarsch shaft machine jacquard loom carpet knotting frame and in addition our own dyeing facilities.
Gunta stolzl carpet.
She continued this effort through the rest of her time at the bauhaus.
Weaving is an old craft which has evolved principles upon which even the mechnical loom must still build today.
1913 16 studies at the kunstgewerbeschule school of arts and crafts in munich.
Design for a multi coloured carpet.
Design for a knotted carpet on bauhaus 100 site design for wall hanging mit gewendetem schuetzen on bauhaus 100 site ca 1923 21x18 cm bauhaus archive berlin.
Gunta stölzl the transfer to dessau brought the weaving workshop as well as all the other workshops and departments new and healthier conditions.
Sometimes we sat together and tried to solve problems of construction.
As the bauhaus only female master she created enormous change within the weaving department as it transitioned from individual pictorial works to modern industrial designs.
Gunta stölzl excerpt from the development of the bauhaus weaving workshop 1931 discussing the weimar years.
Gunta stölzl 5 march 1897 22 april 1983 was a german textile artist who played a fundamental role in the development of the bauhaus school s weaving workshop.
I learned from gunta who was a great teacher.
Decorative painting glass painting ceramics and art history.
1987 born in munich as adelgunde stölzl.
Throughout various efforts she began to move the stereotype away from women s work and help it to be seen as the art it is.
Keeps diaries from 1911 onward with entries about friendships mountaineering and discussions of novels and philosophical readings.
We sat down and tried to do it.
Her textile work is thought to typify the distinctive.
A carpet by gunta stölzl in 1923.